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IV9A8744_Dialoghi_©IGOR STUDIO copyhighCristina ESCLAPEZ (Spain) is a teacher at the Escola Superior de Música de Catalunya as well as at the Conservatorio Superior de Música del Liceu, in Barcelona. As a chamber musician, she performs regularly along artists such as Vicens Prats, Jaime Martín, Julia Gállego, Benoît Fromanger, Philippe Bernold, Branimir Slokar, Michel Becquet, Lorenzo Coppola, etc.


Josep DOMÈNECH (Spain) is often collaborating with Les Talens Lyriques (Christophe Rousset), the Bach Collegium Japan (Masaaki Suzuki), Il Giardino Armonico (Giovanni Antonini), the Orchestre Révolutionnaire et Romantique (Sir John Eliot Gardiner) and the Concert des Nations (Jordi Savall). He teaches baroque oboe at the Amsterdam Conservatory.

iv9a8707_dialoghi_c2a9igor-studio-copyhigh.jpgLorenzo COPPOLA (Italy) performs regularly with the Freiburger Barockorchester, Les Arts Florissants, La Petite Bande and other leading orchestras of the early music scene. He recorded several significant works from the clarinet repertoire such as the Mozart Clarinet Concerto with the Freiburger Barockorchester, the Mozart Quintet with the Kuijken Quartet, the Mozart Wind Serenades with Zefiro Ensemble and the Brahms Sonatas alongside pianist Andreas Staier.

iv9a8646_dialoghi_c2a9igor-studio-copyhigh.jpgPierre-Antoine TREMBLAY (Canada) plays regularly with top period-instruments ensembles such as the Freiburger Barockorchester (Germany), Europa Galante (Italy), the Orchestre des Champs-Élysées (France), Arion Orchestre Baroque (Canada), the Orchestra of the Eighteenth Century (The Netherlands) and B’Rock (Belgium).

iv9a8620_dialoghi_c2a9igor-studio-copyhigh.jpgJavier ZAFRA (Spain) is a member of the Freiburger Barockorchester and a teacher at the Hochschule für Musik Freiburg. He is also a founding member of the Parisian orchestra Le Cercle de l’Harmonie (Jérémie Rhorer). He played the Mozart Bassoon Concerto numerous times, most notably at the Wigmore Hall in London and the Lincoln Center in New York, where his performance was praised by the New York Times.